A repertory performance that draws inspiration from the essay "The Myth of Sisyphus" written by Albert Camus.
The performance was born out of the absurdity of the reality of our lives, especially during this period, and it mainly refers to chapter 4 of Camus' essay.
Camus uses the story of Sisyphus, condemned to a life of circular and never-ending suffering, as a metaphor for the lives of people who work mundanely in offices and factories.
The connection to the reality of our lives in these troubled days is the knowledge that permeates us that the fate of the country is doomed, and our lives become purposeless. Are we the absurd heroes in this case? If we take the rebellion, freedom and lust within this reality - we can find meaning. And thus an awakening may occur and we will take responsibility for our destiny.
There are several points of view from which to look at the performance, a glimmer of hope or terrible pessimism.
Everything is in the eye of the beholder.
Goddess of Justice design: Sophia Trotosh Andersen